Thomas Dolié, baryton
Olivier Godin, piano
To the two collections of lieder found after the death of Schubert, the editor Haslinger added a fourteenth lied and gave the overall title of 'Swan Song'. Not a veritable cycle, but very much immersed in the intimacy of the composer's last moments of life, nostalgic, heart-rending, desperate and eventually soothing, it is this journey that the performers undertake here, with an Erard piano from 1859, miraculously preserved, bringing a unique colour to this masterpiece.
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Interview de Thomas Dolié sur Forum Opéra
Fischerweise, D. 881 (1826) [Chanson du pêcheur / Fisherman’s Song]
Poème de / Poem by Franz Xaver von Schlechta
Ganymed, D. 544 (1817) [Ganymède / Ganymede]
Poème de / Poem by Johann Wolfgang von Goethe
Erlkönig, D. 328 (1815) [Le Roi des Aulnes / The Erl-King]
Poème de / Poem by Johann Wolfgang von Goethe
Rastlose Liebe, D. 138 (1815) [Amour sans repos / Restless Love]
Poème de / Poem by Johann Wolfgang von Goethe
Der Einsame, D. 800 (1825) [Le solitaire / The Lonely One]
Poème de / Poem by Karl Gottlieb Lappe
Schwanengesang, D. 957 (1828) [Le Chant du cygne / Swan Song]
Poèmes de / Poems by Ludwig Rellstab (lieder I-VII),
Heinrich Heine (lieder VIII-XIII) et/and Johann Gabriel Seidl (lied XIV)
Thomas Dolié
Baryton
Olivier Godin
Piano Érard 1859
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